April 24, 2007, 11:00 am

The Art of Mexican Blackletter

By Lisa Agustin

If you’ve seen a bottle of Corona beer, you’ve already seen a sample of the Mexican Blackletter font.  With origins that can be traced back to the Blackletter or Gothic miniscule from 12th century Europe, this font conveys a sense of history and religious tradition. But while it may bring to mind reverential or scholarly images, its use as a multipurpose typeface for everything from shop signs to tattoos makes it a part of contemporary life in Mexico, says Cristina Paoli in her book Mexican Blackletter. Perhaps most interesting is the idea that Mexican Blackletter does not have a fixed appearance, since most of the time it is drawn by hand, usually by someone who is not experienced in typography. As Paoli noted in a recent interview on NPR’s The World:

Most of the time its drawn by hand. And this really has a tremendous impact on the actual shape of the letter. So it makes the whole letter form and its ornaments much more soft and loose. More times than not it’s made by the inexperienced hand of just ordinary people. The outcome is a typographical creation release from the rules and constraints of typography.

To read/listen to the NPR interview: http://www.theworld.org/?q=taxonomy_by_date/2/20070423

To read an excerpt adapted from the book: http://www.graphics.com/modules.php?name=Sections&op=viewarticle&artid=476

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Filed under: Art, Books and Articles, Typography

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